Skip to main content

Trance (2020) Malyalam - Movie Review





Trance (2020)
We all have been adhered in some way or other to our own form of conceptualized deity. On devoting our dedication towards our holy gods, the middleman calling themselves proprietary god-men who boasts about inheriting supreme powers to directly contact god and claiming to eradicate any human problems are constantly ripping of devotees off their money and belief. 2020 psychological Malayalam movie Trance is one such movie which blatantly evinces the company some people are running to cash in to the beliefs of gullible and religious people.
Fahadh Faasil plays a small town motivational speaker Viju Prasad who dreams of becoming a successful motivational speaker someday. Having a rough childhood along with his delusional brother, Viju finds himself in a situation where he is approached by few white collar people to work for them as the face of the Christian pastor who performs staged miracle hence convincing devotees into the greater scam of buying their holy waters and oils. Viju later realized his mistake of scamming people and he has choice to either to succumb to whatever happening or take a stand.
Trance is visually stunning, from its background score to cinematography it’s like a new wave in Malayalam cinema. I haven’t seen any previous work of Fahadh Faasil but his performance in this movie alone is enough to convince me that he is a great actor who can speak through his captivating eyes.  His performance is enigmatic yet convincing. The movie however suffers from a substandard 2nd half. 1st half of the movie keeps you gripped with its tight screenplay but later in the second half with the introduction of hallucination and dreams makes the screenplay sluggish making the audience loose interest. Also I found the runtime of the movie to be problematic being very long. Lastly I would like to say you can watch the movie for Fahadh Faasil.

Comments

Popular posts from this blog

Bulbbul Movie Review: A tale of red night

Bulbbul: A cold night dripped in bloodshot red where the spirit of “Chudail'' roams freely around the forest, just the kind of story the 5 year old Bulbbul is raised up hearing. Bulbbul is an important women centric movie that needs to be talked and discussed. Bulbbul is shown free playing along the branches of the trees but her freedom abruptly ceases when she at her very tender age is married to a man contrastingly older than her. Set in Bengal during the colonial period around 1881, Bulbul speaks volume about all the regressive practices like patriarchy, child marriage, rape, gender equality, mysogny and the filthy secrets rich family possess. When Bulbbul’s brother in law, Satya returns after his studies an series of murder is taking place in the same time. As Satya puts his detective hat to investigate the murders, the secrets that are revealed will shake him to core.  Bulbbul has lavish set design accompanied by costumes. THe highlight of the movie is indeed the striking ...

Uncut Gems Movie Review

Uncut Gems might be the greatest performance of all time for Adam Sandler. He is what you called at the pinnacle of his game. I didn’t expect something this serious and notable performance from him looking back into his filmography of comedy movies. The Safdie brothers create an engaging, nerve wrecking and gripping tale of betrayal and greed. ………………………………………………………………………………………………………………. The movie starts off with an in depth zoom of an big opal found on a Ethopian mines which further zooms out into the colonoscop y of Howard Ratner, a New York based diamond dealer played by Sandler, who is working his way to land himself a million dollar deal by auctioning the same black opal. The story progresses as Howard tries to balance his diamond business, dealing with loan sharks and his marriage. Does he succeed in making it big in the end? ………………………………………………………………………………………………………………. The movie keeps you on edge of your seat with gripping plot twists in each corner.  It is...

How Quintein Tarantino directs suspense..

Quinten Tarantino gives us that art of suspense from the first scene of the movie. In this scene a German Nazi Jew Hunter “Hans Landa” is interrogating Monsieur “LaPadite”, a farmer. We can clearly see that Landa is a fluent in multiple languages, polite and well-mannered but all that are just a superficial traits to show others while deep inside he is a cruel and sadistic person. All these information by just showing us a simple conversation, what Tarantino often delivers well “Show, Don’ tell”. Here Landa, clearly exposes his purpose of visit that is here to search and hunt for Jewish family. During the initial conversation we are not certain of the interrogation and do not get fully immersed as it is rather uncertain from the body language and mannerism of LaPadite that he may or may not be giving refuge to any Jewish family. Now when the camera slowly pans to the underground shot of the hiding family, we now begin to experience the real tension. If you can hear properly befo...